Antique Wedding Crown

When I was about 8 or 10 years old, I discovered this silver plate tiara in an old store.

It was a store my family owned and there was an office/balcony area with old storage shelves that were no longer used. I was there with my dad and he was working on the receipts for the day at a desk after the store was closed.

I, being bored, went exploring, looking around in an area that no one ever went into. I saw something shiny in the back corner of a shelving unit.

I fished it out and took it to show my Dad. It was pretty tarnished; almost black. "Where did you find that?" Dad asked. He had never seen it before and had no idea it had been there for who knows how long.

I took it home, polished it up and found a patent pending date of 1880 engraved on the inside. I used to play dress-up with it. And somewhere along the way, broke it into two pieces.

Many years later, I found a jeweler who could solder it back together.

I put it away and didn't give it much thought after that. I even forgot about it when my own wedding happened.

But I remembered it again and made a very special crown for someone I love very much. I made the background for the veil and sewed the crown onto it. It isn't exactly perfect, owning to the mend, but it looked stunning on the day.

Especially for someone who shares a common ancestor with Princess Diana: Sir Hugh Despencer the Elder. The name was later shortened to Spencer.

Beautiful Indigo

Just look at this wonderful jacket.

I have a real weakness for indigo. I don't think there has been a time that I didn't own a denim shirt, jacket, coat--something.

At one time, I had a Mao jacket, but I haven't a clue what happened to it.

This garment is so simple; it wouldn't be hard to make your own pattern just by your own measurements. There are no darts, gussets, difficult stuff. Just figure out how the overlap would work and you're home and dry.

I think I would change the width of the bottom to a less flared shape and definitely add at least one pocket.

Can't ever have enough pockets. That's one of the reasons why I buy men's T-shirts. They have pockets. And they are made better than women's, generally.

Happy Easter

Design

I don't usually save plastic bags. But somewhere, sometime, I bought something; (It may have been tea.....wink, wink) and it was put in a bright yellow bag with this on the side of it.

I liked the design so much, I cut it out and filed it in my "Embroidery" file. One day, this sassy little dragon is going on a pillow, shirt, purse, wall hanging, quilt block. (Minus the 'Ceylon Tea' mind you.)

Wonder if it needs a caption.

"No Cell Phones"

or

"Mind your Tongue."

Making Your Own Patterns 1 - Monk's Coat

I know of a woman who, in high school, had a favorite Scottish tweed skirt. The fit was perfect. It went with everything she wore. She loved it so much she nearly wore it out. One day, she had a great idea. She completely dismantled the skirt, turned each piece wrong-side out and reassembled the skirt. She's probably wearing it still.

That may be a bit extreme; just a bit. But dismantling a beloved garment to duplicate it makes perfect sense. Commercial manufactures do not use mass produced patterns. And certainly couture designers depend on their own pattern-cutting.

So if you have a garment that fits you to a T, why not dismantle it carefully; either drawing or photographing each step, and make yourself another one.

I've made patterns out of favorite clothing since high school. Sometimes, I have just dismantled the garment and saved the actual fabric pieces and put them in a large envelope. When I wanted to duplicate the garment, I would just pin it on the fabric and cut it out as if I were using a paper pattern.

I did the same thing with my children's cloths.

So, when I was in Tokyo on a potter's tour, I bought two authentic Monk's outfits when I was in Japan. A Terra colored one and a mustard colored one.They are made out of almost denim type fabric; heavy and slightly rough. Except instead of a twill weave as in Levis, they are straight-woven as in broadcloth.

Front View

I decided to make a pattern from the original one since all the pieces are flat with very little complicated sewing involved.

I measured the existing jacket by laying it on a flat surface and measuring each element. The jacket should be loose. It can be adjusted somewhat by how tightly you tie the side ties, but freedom of movement is the object here.

Then I transferred the measurements to a diagram drawn by an old Apple program called SuperPaint. (How I loved this simple little program--sadly it doesn't work any more with new operating systems.) This would probably fit a Woman's Large size. 16-18 or 1X or a Man's LG to XLG.

I also made note of features of the jacket like the angle of the sleeves from the armpit area to the edge of the sleeve. You could put the pocket on either side and make the ties longer if you wish. Note: Most of the diagrams show one tie (two strips) on the inside and one on the outside. However, you can have 4 ties overall if you want.

One part of a pair is sewn to the inside seam on the side, the other tie goes just inside the overlapping lapel and opposite of the inside tie. They can be looped together or tied in a bow. I like to knot the ends of the ties too, just for decorative purposes.

Back View

Note that there is a facing at the back yoke. This can be one square piece, sewn inside with a French seam. This is strictly optional. If the fabric has enough body, the facing can be left out.

It gives structure to the shoulder area.

The fabric can be cut all in one piece, going over the shoulder and down to the front. (length optional) You can use the front/back piece as a pattern and cut the shoulder reinforcing after the initial front/back piece has been cut and folded out flat. See Fabric Layout illustration below.

Original Monk's Jacket measurements.

The Neck and front band is 72 inches long, 2 inches wide when doubled. It is cut 4 inches wide.

The ties are 15 inches long and cut 1 1/2 inches flat; 3/4 inches wide when folded over.

Sewing notes: Sides, back seam and under-arm seams are all French seams.

Attach the neck band all around the front, neck and to the other front. Fold over and stitch down, then stitch in rows (your choice on spacing) to reinforce.

Sides are worn left over right, covering the pocket.

Fabric Layout

The back piece is placed on the fold. The two front pieces are cut out as two separate sections and so is the sleeve, which is shown laid out flat. It could be cut as two pieces laid out on the fold.

The long front finishing band is best cut out as one long piece and the ties can be cut from left-over fabric.

Reverse the front sides and establish the neck hole. Cut a corresponding hole in the interfacing. Sew the shoulder seams; back and two front panels. A neck opening will be created and you can trim the back section in a slight curve to allow the neck band to sit well around the neck.

Shoulder under facing: A square fabric piece that forms an under the shoulder reinforcement can be added. It should be the width of the back and extend down the front of the jacket over the chest. This is an elective added element to the jacket. (see the front and back views for placement.) After the shoulder seam is sewn, add this underlining, sewing a French seam and trimming off the excess fabric.

Sew on the sleeves placing the center of the sleeve at the shoulder seam.

Fold over the jacket at the shoulder, matching the bottoms, arm hole and sleeve seam and sew together in one long seam, Clip the arm hole curve to ease. Leave a side split if desired.

Hem the sleeves and bottom. Then sew the ties by hemming the ends, folding double and stitching down. Attach by folding about 2 inches at the end and stitching them inside and at a corresponding measurement on the inside front piece. (Inside on the left side; outer right front. Inside on the right inner seam; outside on the left front.) See diagram for the front.

Sew on the neckband, attaching it all around the neck and front. Clip for ease at the sides of the neck. Fold over the band and stitch down. If desired, topstitch for reinforcement and design.

Suggestions: a contrasting band and sleeve facing can be added to create a different designed jacket. A contrasting fabric where the sleeve joins the body, the collar and front band and front ties are also areas where different fabric could be used.

Woven Scarf

I have an 8 harness Schacht table loom like this one, only I don't have the stand.

The loom has good rubber pads on the feet, so it doesn't move when I'm working on it on a table.
It's a wonderfully versatile loom; the 8 harnesses allow an infinite number of patterns and variations.

Even in a simple twill using different colored warp threads and a sampler-type variation of waft colors, the weaver can accomplish so much.

The neck scarf is mostly all wool with a smattering of loopy synthetic (white) yarn thrown in. It is about 6 feet long and toasty warm.

Normally, I don't like orange. But when it's limited and tempered with purple, blue, white, rose, pink and red, it becomes a whole other thing.

Return to the Frozen North

Well, it isn't quite THIS bad, but after a winter in Arizona, it feels like this.

Everything needs to be done, it seems.

We're still in the process of unpacking.

Coming back into a house after a period of absence makes you see everything with a new vision. I didn't even go into the basement or the storage building until yesterday....

I need to deep clean every room, get blinds put up, rearrange the furniture, cull out 'stuff'. A lot of stuff.

The grass is long, the ground is soaked. The garden must be planned and I really do need to dig up those irises that have bolted. But outside must wait; it's just too cold.

At least I can think about what I'm going to make when I get back into the studio.